Descriptions of 4 of the dances from In Flagrante

Descriptions of 4 of the dances from In Flagrante

Last year we spent a lot of time writing descriptions for the dances for APRA and we actually really enjoyed articulating in writing about the pieces. We – as in myself (the choreographer) but mainly Phil ( conceptual and design) with his eloquence! After all this time, seeing them performed, seeing the audiences reactions, we understand these pieces much more… and I’d love you to read them…esp if you have seen In Flag!

Here are 4 of them:

In Flagrante show dance title: MEMORY (First performed at the Butterfly Club in Melbourne, May 2018)

Music Artist: Laurie Anderson

Music Track: Beginning of Memory 

Choreography/narrative/theme:

A solo dance work inspired by Laurie Anderson’s gift for powerful deeply evocative narrative and imagery expressed in her hauntingly unique voice.  The dancer is seen as a stateless bird, looking for a safe place to land; a place to belong. The Lark presents a solution. A reconciling territory of the mind, a site to bury the memory of patriarchy… a new beginning with a fatal trap. The choreography and sub text is hugely influenced by New Zealand’s unique pre human solitude as an island archipelago of just birds and ‘spirits’ in a vast empty ocean. The movement derives from the motion of bird wings and the flight of ‘poi’… stringed woven orbs used in traditional Maori women’s dance and ritual.

Lighting: Moody dappled lighting state. Costume: Minimal, bare feet. Props: Wire frame bird mask

 

In Flagrante show dance title: (The Late Great) REDONDO. (First performed on tour in Tauranga 2012)

Music Artist: Chinese Man

Music Track: Artichaut.

Choreography/narrative/theme:

This dance is a solo comedic work inspired by the rhythmic circus quality in the music and the vocals as an impresario or ringmaster introducing an act.  The character satirises the perennial magician’s assistant. Never the magician, the eternal female second fiddle to the main (invariably male) act. In Redondo’s case the assistant takes over in an impudent rebellion. She performs various feats of faux magic which become progressively more outrageous and hilarious. To her final ‘piece de resistance’… pulling the severed head of the magician himself out of the magic box.

Lighting: Bright glitzy and circus like

Costume: Sparkly top, head band and g string, high heels, long black gloves, Props: Two small fold out tables, top hat, silver stool, scarves, large black hat box covered in silver stars

Photo credit Bruce Jarvis

 

In Flagrante show dance title: VENUS (first performed in Auckland at Q’s Loft 2016)

Music Title: Water’s Edge

Music Artist: Nick Cave

Choreography/narrative/theme:

Taking Botticelli’s timeless ‘Venus on the Half-Shell’ as the prototype virginal image of the female form and eternally giving persona. This solo work cuts across this popular cliché with Cave’s hyper edgy riff on promiscuity and sexual danger on the south coast foreshore. Where the stones meet the sea. A metaphor for the unstable boundary between hope and hopelessness. Between anger and forbidden pleasure.  And the relinquishing of fragile beauty.

Lighting: Soft paintillist centrally lit figure, darkened stage sides. Costume: Extra long flowing golden hair (wig), minimal flesh coloured costume. Props: Large backlit white translucent Origami shell

The Venus Season

Photo credit: Phil O’Reilly

 

 

In Flagrante show dance title:  VALHALLA (First performed for NZSD Oct 2017, then for In Flag at The Butterfly Club 2018)

Music Title: ( track 1) Snake Eyes

Music Artist: Trouble

Music Title: ( track 2) Cold Wind Blowin

Music Artist: David Lynch

Choreography/narrative/theme:

Taking the anarchical impetuous driving rhythms of Trouble’s masterly unsettling ‘Snake Eyes’ our Steam punk super heroine fights her ground in a frenetic dance for survival against the forces of destruction. Morphing to David Lynch’s dark and moody ‘Cold Wind Blowin’ Valhalla presents a ragged female survivor of an apocalyptic battle. In an act of triumph and supplication she sheds her armour to reveal the essential wounded woman within…a bittersweet victory stripped to the bone.

Lighting: Leaden moody tones with flashes of white light, progressing to warm russet tones. Costume: Military fur lined earmuff hat, industrial goggles, rubber rebreather/respirator tube, steam punk bodice, pleated leather bloomers, forearm and knee pads, wrap around midriff bandages.   Props: Long pointed flag on a short handle

Wellington, NZ. 07.09.2016. ONCE. By the New Zealand School of Dance at Te Whaea Theatre. Solo contemporary dance work. Photo credit: Stephen A’Court. COPYRIGHT ©Stephen A’Court

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